Black Photojournalism is a podcast featuring conversations between contemporary artists, journalists, historians, and photographers about a period in the United States from the conclusion of World War II in 1945 to the presidential campaigns of 1984 when Black-owned media transformed how people were able to access seeing themselves and their communities. Hosted by renowned author and journalist Mark Whitaker, the series explores this period of urgent social change and civil rights advocacy in different cities and regions around the nation.
Black Photojournalism
Episodes
In the first episode ofĀ Black Photojournalism, artist Hank Willis Thomas talks about growing up in a household that hosted numerous Black photojournalists and how that influenced his practice. Host Mark Whitaker and Charlene Foggie-Barnett, community archivist for the Charles āTeenieā Harris archive, discuss their personal connections to Pittsburgh and the rich Black history of the city.
Dr. Frances āToniā Murphy Draper and artist Savannah Wood talk about the history of Baltimoreās AFRO American Newspaper and their familyās ownership of the paper that dates back five generations to 1892.
In this episode, photographer Clinton Wright talks about what it was like to move to and photograph Las Vegas in the 1960s and 70s, a time when many casinos were still segregated. Aaron Mayes and Claytee White, who work with Wrightās archive at the UNLV Libraries Special Collection help situate these photographs within the historical context of Civil Rights activism in Las Vegas.
There are two different stories this episode of Black Photojournalism: one rooted in Southern California, where Bruce Talamon got his start photographing the legends of R&B and soul; the other up north, in and around Oakland, where filmmaker Stanley Nelson documented the Black Panthers becoming their own image-makers which they used to build a movement.
Support
Black Photojournalism is presented by BNY.
Major support for this exhibition has been provided by the Virginia Kaufman Endowment. Significant support for this exhibition has been provided by the Terra Foundation for American Art.
Black PhotojournalismĀ has been made possible in part by a major grant from theĀ National Endowment for the Humanities: Democracy demands wisdom.
Additional support for this exhibition has been provided by the Massey Charitable Trust.
Support for this exhibitionās catalogue has been provided by Arts, Equity, & Education FundTM, the Wyeth Foundation for American Art, and John Bauerlein.
In-kind support for this exhibition has been provided by Herman Miller.
Carnegie Museum of Artās exhibition program is supported by the Carnegie Museum of Art Exhibition Fund and The Fellows of Carnegie Museum of Art.
Carnegie Museum of Art is supported by The Heinz Endowments and Allegheny Regional Asset District. Carnegie Museum of Art receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania.
Any views, findings, conclusions, or recommendations expressed in this exhibition do not necessarily represent those of the National Endowment for the Humanities.