Dr. Frances “Toni” Murphy Draper and artist Savannah Wood talk about the history of Baltimore’s AFRO American Newspaper and their family’s ownership of the paper that dates back five generations to 1892. Today, the AFRO holds more than three million photographs in its archive which it is seeking to make public in a new visitor center in the Upton neighborhood.
Black Photojournalism Episode 2: Baltimore
Contributors in this Episode
Dr. Frances Murphy Draper (Toni) is the chairman of the board and publisher of the Baltimore-based AFRO-American Newspapers (afro.com) — a publication founded by her great grandfather in 1892. In 2021, the Local Media Association (LMA) named her “Content and Audience Innovator of the Year” and in 2022 the National Newspaper Publishers Association (NNPA) named her “Publisher of the Year.”
Draper received a bachelor’s degree in Spanish language education from Morgan State University and was on the university’s Board of Regents for 25 years before stepping down last year. Draper also has master’s degrees in education (Johns Hopkins University), business administration (University of Baltimore) and pastoral counseling (Loyola University Maryland). In 2006, she received a Doctor of Ministry degree in preaching and leadership from the United Theological Seminary in Dayton, Ohio. Draper serves on the boards of the National Newspaper Publishers’ Association and the Fellowship of Christian Athletes (Baltimore City).
Savannah Wood is the Executive Director of Afro Charities where she leads the charge to increase access to the 130+-year-old AFRO American Newspapers’ extensive archives. In this role, she has shepherded the organization through a period of historic growth, initiated new programming, and attracted support from national funders including the Mellon Foundation, the Andy Warhol Foundation for the Visual Arts and The Ruth Foundation.
Wood is also an artist with deep roots in Baltimore and Los Angeles working primarily in photography, text, and installation to explore how spirituality, domesticity, and our relationships to place shape our identities. She is a graduate cum laude of the University of Southern California. She is a member of the 2023 class of The Leadership Baltimore, a 2022 Saul Zaentz Innovation Fund fellow, 2022 Creative Capital finalist, and a 2019 – 2021 Robert W. Deutsch Foundation fellow.
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About Black Photojournalism
Black Photojournalism presents work by more than 40 photographers chronicling historic events and daily life in the United States from the conclusion of World War II in 1945 to the presidential campaigns of 1984, including the civil rights movements through the 1950s, 60s, and 70s.
Credits
Black Photojournalism is co-organized by Dan Leers, curator of photography, and Charlene Foggie-Barnett, Charles “Teenie” Harris community archivist, in dialogue with an expanded network of scholars, archivists, curators, and historians.
The Black Photojournalism podcast series is produced by SandenWolff, Inc.
Executive Producer, Writer, Story Editor: Rachel Wolff
Editing: Thomas Lange and Jonathan Sanden
Original music: Noah Therrien
Support
Black Photojournalism is presented by BNY.
Major support for this exhibition has been provided by the Virginia Kaufman Endowment. Significant support for this exhibition has been provided by the Terra Foundation for American Art.
Black Photojournalism has been made possible in part by a major grant from the National Endowment for the Humanities: Democracy demands wisdom.
Support for this exhibition’s catalogue has been provided by Arts, Equity, & Education FundTM, the Wyeth Foundation for American Art, and John Bauerlein.
In-kind support for this exhibition has been provided by Herman Miller.
Carnegie Museum of Art’s exhibition program is supported by the Carnegie Museum of Art Exhibition Fund and The Fellows of Carnegie Museum of Art.
Carnegie Museum of Art is supported by The Heinz Endowments and Allegheny Regional Asset District. Carnegie Museum of Art receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania.
Any views, findings, conclusions, or recommendations expressed in this exhibition do not necessarily represent those of the National Endowment for the Humanities.
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