Organized by Lynn Zelevansky, Elisabeth Sussman, James Rondeau, and Donna De Salvo, with Anna Katherine Brodbeck. Contributions by Martha Scott Burton, Frederico Coelho, Max Hinderer Cruz, Sérgio B. Martins, Adele Nelson, Irene Small, and Guilherme Wisnik.
Published by Carnegie Museum of Art, The Art Institute Chicago, and the Whitney Museum of American Art
ISBN 978-3-7913-6659-3 (hardcover); ISBN 978-3-7913-6660-9 (softcover)
Hélio Oiticica (1937–1980) created art that reawakens us to our bodies, our senses, our feelings about being in the world. Accompanying the first full US retrospective of the Brazilian artist in over two decades, this volume captures the excitement, complexity, and performative nature of Oiticica’s art. Thoroughly exploring Oiticica’s most acclaimed works, such as the Parangolés and his groundbreaking installation Tropicália, this book also examines his involvement with music and literature, and his response to politics and the social environment in Brazil. From his immersion in 1960s counterculture to his life in New York City and final return to Rio de Janeiro, this catalogue charts the development of an utterly original talent whose work is both provocative and enduring.
Accompanied an exhibition co-organized by Carnegie Museum of Art, Pittsburgh (October 1, 2016 to January 2, 2017); The Art Institute of Chicago (February 19 to May 7, 2017); and the Whitney Museum of American Art, New York (July 14 to October 1, 2017). Exhibition organized by Lynn Zelevansky, Elisabeth Sussman, James Rondeau, and Donna De Salvo, with Anna Katherine Brodbeck. Contributions by Martha Scott Burton, Frederico Coelho, Max Hinderer Cruz, Sérgio B. Martins, Adele Nelson, Irene Small, and Guilherme Wisnik.
2016; hardcover and softcover; 320 pages with 310 color illustrations; available from the Carnegie Museum of Art Store and DelMonico Books/Prestel.
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