John H. Johnson and his wife Eunice printed the first issue of EBONY magazine, one of the most influential Black publications in history, in November 1945. This episode features stories about the Johnson Publishing Company as told by their daughter, Linda Johnson Rice. We also hear from two artists, David Hartt and Theaster Gates, about the influence of the magazine on their work and the ways in which its archive continues to resonate.
Black Photojournalism Episode 6: Chicago
Contributors in This Episode
Born in Arkansas in 1918, John H. Johnson went on to attend the University of Chicago and work part time for the Supreme Life Insurance Co. before producing his own publication called the Negro Digest (later Black World) in 1942. Eventually he founded the Johnson Publishing Co which launched Ebony in 1945, the number-one African American magazine worldwide every year, and Jet in 1951, the world’s most widely circulated African American news weekly magazine. Johnson went on to become chairman and CEO of Supreme Life Insurance along with owning several cosmetics brands. He was the recipient of the Spingarn Medal to the Most Outstanding Black Publisher in History Award from the National Newspaper Publishers Association. President Bill Clinton awarded Johnson with the Presidential Medal of Freedom in 1996. He died in 2005.
Linda Johnson Rice is an influential executive in the business world and an uplifting voice for the next generation of creative business leaders. It is her life’s mission to highlight the positive power and uniqueness of the black experience. Rice’s rare mixture of executive presence and creative talent make her a unique asset, whether she’s managing a media or beauty brand—as she has done in the past — or leading the Chicago Public Library Board as President. In 2002, as chairman and CEO of Johnson Publishing Company, Rice became the first African American female CEO among the top five of the Black Enterprise 100s largest black-owned companies. Linda also serves on several philanthropic boards, as well as the Board of Directors of the Omnicom Group and Enova.
David Hartt is an artist and educator working across media to examine the transformation of ideas and histories over time. He is an associate professor at the University of Pennsylvania in the Department of Fine Arts.
Theaster Gates has exhibited and performed at the Albuquerque Foundation, Sintra, Portugal (2024); The LUMA Foundation, Arles, France (2023, 2024); The New Museum, New York, (2022); The Aichi Triennial, Tokoname (2022); The Serpentine Pavilion, London (2022); The Victoria and Albert Museum, London, UK (2021); Whitechapel Gallery, London, UK (2013 and 2021); Tate Liverpool, UK (2020); Haus der Kunst, Munich (2020); Walker Art Center, Minneapolis (2019); Palais de Tokyo Paris, France (2019); National Gallery of Art, Washington D.C., USA (2017); and dOCUMENTA (13), Kassel, Germany (2012) among many others. He is the recipient of numerous awards and honorary degrees including the Guggenheim Fellowship (2025); Isamu Noguchi Award (2023); and Artes Mundi 6 Prize (2015). Gates is a professor at the University of Chicago in the Department of Visual Arts as well as the Director of Artists Initiatives at the Lunder Institute for American Art at Colby College Museum of Art.
More Epsiodes View All →
About Black Photojournalism
Black Photojournalism presents work by more than 40 photographers chronicling historic events and daily life in the United States from the conclusion of World War II in 1945 to the presidential campaigns of 1984, including the civil rights movements through the 1950s, 60s, and 70s.
Credits
Black Photojournalism is co-organized by Dan Leers, curator of photography, and Charlene Foggie-Barnett, Charles “Teenie” Harris community archivist, in dialogue with an expanded network of scholars, archivists, curators, and historians.
The Black Photojournalism podcast series is produced by SandenWolff, Inc.
Executive Producer, Writer, Story Editor: Rachel Wolff
Editing: Thomas Lange and Jonathan Sanden
Original music: Noah Therrien
Support
Black Photojournalism is presented by BNY.
Major support for this exhibition has been provided by the Virginia Kaufman Endowment. Significant support for this exhibition has been provided by the Terra Foundation for American Art.
Black Photojournalism has been made possible in part by a major grant from the National Endowment for the Humanities: Democracy demands wisdom.
Support for this exhibition’s catalogue has been provided by Arts, Equity, & Education FundTM, the Wyeth Foundation for American Art, and John Bauerlein.
In-kind support for this exhibition has been provided by Herman Miller.
Carnegie Museum of Art’s exhibition program is supported by the Carnegie Museum of Art Exhibition Fund and The Fellows of Carnegie Museum of Art.
Carnegie Museum of Art is supported by The Heinz Endowments and Allegheny Regional Asset District. Carnegie Museum of Art receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania.
Any views, findings, conclusions, or recommendations expressed in this exhibition do not necessarily represent those of the National Endowment for the Humanities.