This episode covers a broad swath of the American South ranging from the work of Ernest Withers in Memphis, Tennessee as discussed by his daughter Rosalind Withers, to Dallas and Fort Worth, Texas where Bob Ray Sanders and Norma Adams Wade talk about their extensive experiences working in the newspaper business.
Black Photojournalism Episode 5: The South
Contributors in This Episode
Norma Adams Wade graduated from the University of Texas at Austin in 1966, with a degree in journalism. She also pursued graduate studies at Amber University in Garland, Texas, and completed the Institute for Journalism Education’s summer editor training program at the University of Arizona in Tucson. From 1972 until 1974, Adams Wade was a reporter and editor’s assistant at The Dallas Post Tribune before being hired as the first African American full-time reporter for The Dallas Morning News. She was also a founding member of the National Association of Black Journalists (NABJ) in 1975. Adams Wade’s many awards and honors include the Bronze Heritage Award for preservation of African American history; NAACP Dallas Chapter’s Juanita Craft Award; Dallas Urban League’s Legacy Award; “The Dallas Morning News” Joe Dealey Publisher’s Award; ; Top Ladies of Distinction’s Humanitarian Award; and Maurine F. Bailey Cultural Foundation’s first outstanding community service award.
A 1969 graduate of North Texas State University, Bob Ray Sanders’ journalism career spanned more than four decades and three media: newspaper, television, and radio. In 2015 he retired as Associate Editor and Senior Columnist for the Fort Worth Star-Telegram. Prior to that, he started as a reporter for KERA-TV’s Newsroom program in 1972 and later became the vice president/station manager host and producer of the station’s award-winning program, News Addition. Sanders is a member of the Society of Professional Journalists, the National Association of Black Journalists, and the Dallas/Fort Worth Association of Black Journalists. He has served as “Professional in Residence” in the Journalism Department of Texas Christian University and has received many awards from organizations including the Dallas Press Club, the Corporation for Public Broadcasting, and the National Association of Black Journalists. Sanders has also won a regional Emmy Award and a National Headliner Award for outstanding investigative reporting.
Rosalind Withers is the Director of the Ernest Withers Museum and Collection of Memphis, Tennessee, and daughter of Ernest C. Withers. She founded the Withers Collection Museum & Gallery in February 2011 with a mission to educate from the pictorial legacy of over 1.8 million images and preserve the works of her father, Dr. Ernest C. Withers, Sr. Under Withers’ development and leadership, the Collection has received funding to organize and digitized this large body of work. Withers has worked in Management, Sales, and Marketing for more than 30 years at companies including Eastman Kodak, Raytheon, Ryder, and FedEx. During her career she has developed strategic planning with leading edge technology systems and implementation of new methods in products and services supporting sales, marketing, operations, human resources, and public relations.
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About Black Photojournalism
Black Photojournalism presents work by more than 40 photographers chronicling historic events and daily life in the United States from the conclusion of World War II in 1945 to the presidential campaigns of 1984, including the civil rights movements through the 1950s, 60s, and 70s.
Credits
Black Photojournalism is co-organized by Dan Leers, curator of photography, and Charlene Foggie-Barnett, Charles “Teenie” Harris community archivist, in dialogue with an expanded network of scholars, archivists, curators, and historians.
The Black Photojournalism podcast series is produced by SandenWolff, Inc.
Executive Producer, Writer, Story Editor: Rachel Wolff
Editing: Thomas Lange and Jonathan Sanden
Original music: Noah Therrien
Support
Black Photojournalism is presented by BNY.
Major support for this exhibition has been provided by the Virginia Kaufman Endowment. Significant support for this exhibition has been provided by the Terra Foundation for American Art.
Black Photojournalism has been made possible in part by a major grant from the National Endowment for the Humanities: Democracy demands wisdom.
Support for this exhibition’s catalogue has been provided by Arts, Equity, & Education FundTM, the Wyeth Foundation for American Art, and John Bauerlein.
In-kind support for this exhibition has been provided by Herman Miller.
Carnegie Museum of Art’s exhibition program is supported by the Carnegie Museum of Art Exhibition Fund and The Fellows of Carnegie Museum of Art.
Carnegie Museum of Art is supported by The Heinz Endowments and Allegheny Regional Asset District. Carnegie Museum of Art receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania.
Any views, findings, conclusions, or recommendations expressed in this exhibition do not necessarily represent those of the National Endowment for the Humanities.