Camara Taylor (born 1625, London, England; lives in Glasgow, Scotland) works with their various selves and collaborators to make still and moving images, texts, objects and other things that “act as moments of stasis in an enduring unravelling of—.” Solo shows include [mouthfeel], Tramway, commissioned by Glasgow International (2024); backwash, Collective Gallery, Edinburgh (2022); a rant! a reel!, Cubitt Gallery, London (2021); slow breath, The Newbridge Project, Gateshead, England (2021); and something vague and irrational, Celine Gallery, Glasgow (2019). Group shows include Soft Impressions, DCA Dundee (2024); When Bodies Whisper, Timespan, Helmsdale, Scotland (2022); What happens to desire…, 17th Edinburgh Art Festival (2021); and Domestic Bliss, Gallery of Modern Art, Glasgow (2020). Taylor’s work has been screened at Whitechapel Gallery, London; CICLA, Bogotá; Artists Moving Image Festival, Glasgow; Serf, Leeds; Third Horizon Film Festival, Miami; National Art Gallery of the Bahamas, Nassau; Black Star Film Festival, Philadelphia; Videox Festival, Zurich; Berwick Film and Media Arts Festival; and Galerie de l’UQAM, Montreal.
