George Platt Lynes: Think of Me

Scaife Gallery 1 Mar. 13–Aug. 8, 2027

Photographer George Platt Lynes enriched creative life in New York City in the 1930s and 1940s with his ambitious and multifaceted art. To be photographed by Lynes was to enter a world of refined style, liberated desire, and artistic possibility. A self-taught craftsman of the medium and an intuitive master of studio lighting, he created thousands of images both for commercial use and private consumption, imbuing each with love and candor. His image repertoire, which is long overdue for consideration in its fullness, has since exerted an undeniable influence on subsequent generations of artists and on various trajectories of American visual culture.

This exhibition features some 180 photographs revealing the full scope of the artist’s work in the studio—from lavish fashion imagery for Vogue and Harper’s Bazaar and commercial work for luxury brands to his stylized portraits of celebrities, his dance photography for the New York City Ballet, and his inimitable male nudes. At their very best, Lynes’s images transcend genre and artfully disclose the intimacies of his life—from friends and lovers to artists, writers, poets, choreographers, and the many dynamic figures of the era who influenced Lynes and were influenced by him. Drawn from private and public collections, the show represents a rare opportunity for museum visitors to explore in depth the life and career of one of the most consequential photographers of the 20th century.

George Platt Lynes: Think of Me will be accompanied by an extensive publication offering new scholarship and essays that delve into the artist’s life, practice, and impact on American art history and photography. Published by Carnegie Museum of Art and distributed by Distributed Art Publishers, the volume considers works in the exhibition and beyond, as well as supplementary archival material. Contributors include Hilton Als, Eric Crosby, Andrew Durbin, Rebecca Fasman, Dan Leers, Drew Sawyer, Cynthia Stucki, and a reprinted essay by George Platt Lynes, along with an extensive chronology.

Carnegie Museum of Art wishes to thank The FRK Foundation, Butler; Solomon R. Guggenheim Museum, New York; Kinsey Institute, Indiana University, Bloomington; Philadelphia Museum of Art, Philadelphia; The Metropolitan Museum of Art, New York; The Art Institute of Chicago, Chicago; Museum of Fine Arts, Houston; Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie; Museum of Fine Arts, Boston; and Herbert F. Johnson Museum of Art, Cornell University, Ithaca, for generously lending artworks for the exhibition.

The exhibition is organized by Eric Crosby, Henry J. Heinz II Director, Carnegie Museum of Art, and Vice President, Carnegie Museums of Pittsburgh, with Cynthia Stucki, assistant curator.

About the Artist

George Platt Lynes was born in 1907 in East Orange, New Jersey, and raised in an affluent household with a minister father and socially prominent mother. As a teenager, he struggled at boarding school, so in 1925 his parents sent him to Paris for college preparatory studies. There he befriended Gertrude Stein and became immersed in her vibrant circle of artists and writers. Upon his return to the US in 1926, Lynes briefly attended Yale University before leaving school to pursue a literary life in New York City.

In 1928, he began to experiment with photography, taking portraits of his family, friends, and lovers. Among them were publisher and museum professional Monroe Wheeler and poet and novelist Glenway Wescott, who would remain influential creative and romantic forces in Lynes’s tumultuous and brief life. By 1929, he committed himself to the vocation of photography and began making a living as a celebrity portraitist while also advancing his experiments with male nudes. In the early 1930s Lynes began exhibiting his photographs with gallerist Julien Levy and rapidly gained success with editorial fashion commissions for Vogue, Harper’s Bazaar, and Town & Country, as well as luxury brands. In 1935, he became the first official photographer for the American Ballet (now the New York City Ballet), and his success continued through the war years.

The wartime death of his lover and studio assistant George Tichenor and a phase of professional disillusionment prompted the artist’s sudden move to Los Angeles in 1947 where he worked on assignment for Vogue. A period of financial instability followed, and he returned to New York in 1948 where, as tastes were changing, commercial opportunities for the artist declined. As a result, he dedicated his creative energy to his male nudes in the early 1950s as his health began to fail. Diagnosed with lung cancer, Lynes passed away in December 1955 at the age of 48. Before his death, he destroyed much of his work, but he also entrusted a large collection of negatives to the Kinsey Institute for Sex Research at Indiana University.

Lynes’s photographs have been collected widely by museums such as Carnegie Museum of Art, Pittsburgh; Metropolitan Museum of Art, New York; Guggenheim Museum, New York; Whitney Museum of American Art, New York; The Museum of Modern Art, New York; National Gallery of Art, Washington, DC; Art Institute of Chicago, Chicago; Philadelphia Museum of Art, Philadelphia; Boston Museum of Fine Arts, Boston; and Centre Pompidou, Paris, among many others

A photo of a man — George Platt Lynes, Self Portrait, 1942, Carnegie Museum of Art, William T. Hillman Photography Fund, Used with permission of the George Platt Lynes Estate

Select Works

Support

Generous support for this exhibition has been provided by The Robert Mapplethorpe Foundation and Jean and Julien Levy Foundation for the Arts, Inc.

Additional support for this exhibition has been provided by Gregory L. Cherpes and Scott A. Sandage Endowment.

Support for this exhibition’s catalogue has been provided by Wyeth Foundation for American Art.

Carnegie Museum of Art’s exhibition program is supported by the Carnegie Museum of Art Exhibition Fund and The Fellows of Carnegie Museum of Art.

Carnegie Museum of Art is supported by Allegheny Regional Asset District and Helen Frankenthaler Foundation.